Muttertag international

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Mother's Day Around the World

Many countries have special days to honor mothers. Some celebrate on May 10th or on the second Sunday in May and others have Mother's Day celebrations scattered throughout the year.

Believe it or not, getting official recognition of Mother's Day as a holiday was not a quick or easy process. The United States proclaimed Mother's Day an official holiday in 1914 after more than a century of women meeting locally to promote the idea.

The trilingual Swiss began celebrating Muttertag, La Festa della Mamma or Fête des Mères, Mother's Day, in 1917. Whether the idea was adopted because Swiss chocolates are so good will never be known, but Switzerland was one of the first European countries to adopt the celebration.

In Switzerland and many other countries, including the United States, Mother's Day is always the second Sunday in May.

In Mexico and South America, Mother's Day is always celebrated on May 10. Mother's Day is the largest card-sending occasion for Hispanics beating out both Christmas and Valentine's Day!

Italy - La Festa della Mamma

Mexico - Día de las Madres

United Arab Emirates

England – Last Sunday in Lent

Ethiopia – Antrosht - End of the rainy season

France – Last Sunday in May

Lebanon – First day of Spring

Norway – Second Sunday in February

South Africa – First Sunday in May

Spain and Portugal – December 8, the Virgin Mary's Day as well as a day to honor mothers

Sweden – Last Sunday in May

Yugoslavia, specifically the Serbians – Sunday, two weeks before Christmas

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Mother's Day and Muttertag in Germany

The history of mom's holiday in Germany and around the world

Although the idea of honoring mothers on a special day was known as far back as ancient Greece, today Mother's Day is celebrated in many countries, in many different ways, and on different dates.

Where Did Mother's Day Originate?

The credit for the American Mother's Day observance goes to three women. In 1872 Julia Ward Howe (1819-1910), who also wrote the lyrics for "The Battle Hymn of the Republic," proposed a Mother's Day observance dedicated to peace in the years following the Civil War.

Such annual observances were held in Boston in the late 1800s.

In 1907 Anna Marie Jarvis (1864-1948), a Philadelphia teacher originally from Grafton, West Virginia, began her own efforts to establish a national Mother's Day. She also wished to honor her own mother, Anna Reeves Jarvis (1832-1905), who had first promoted the "Mothers' Work Days" in 1858 as a way to improve the sanitary conditions in her town. She later worked to relieve suffering during and after the Civil War. With the support of churches, business people, and politicians, Mother's Day came to be observed on the second Sunday in May in most U.S. states within several years of Ann Jarvis' campaign. The national Mother's Day holiday became official on May 8, 1914, when President Woodrow Wilson signed a joint resolution, but it was more of a patriotic day on which flags were flown in honor of mom. Ironically, Anna Jarvis, who later tried in vain to combat the increasing commercialization of the holiday, never became a mother herself.

Mother's Day in Europe

England's Mother's Day observance goes back to the 13th century when "Mothering Sunday" was observed on the fourth Sunday of Lent (because it was originally for Mary, mother of Christ). Later, in the 17th century, servants were given a free day on Mothering Sunday to return home and visit their mothers, often bringing along a sweet treat known as the "mothering cake" that was to be kept until Easter.

In the UK, Mothering Sunday is still observed during Lent, in March or early April.

In Austria, Germany, and Switzerland Muttertag is observed on the second Sunday in May, just as in the U.S., Australia, Brazil, Italy, Japan, and many other countries. During the First World War, Switzerland was one the first European countries to introduce Mother's Day (in 1917). Germany's first Muttertag observance took place in 1922, Austria's in 1926 (or 1924, depending on the source). Muttertag was first declared an official German holiday in 1933 (the second Sunday in May) and took on a special significance as part of the Nazi motherhood cult under the Hitler regime. There was even a medal—das Mutterkreuz—in bronze, silver, and gold (eight or more Kinder!), awarded to mothers who produced children for the Vaterland. (The medal had the popular nickname of "Karnickelorden," the "Order of the Rabbit.") After World War II the German holiday became a more unofficial one that took on the cards-and-flowers elements of the U.S. Mother's Day. In Germany, if Mother's Day happens to fall on Pfingstsonntag (Pentecost), the holiday is moved to the first Sunday in May.

Mother's Day in Latin America

International Mother's Day is observed on May 11.

In Mexico and much of Latin America Mother's Day is on May 10. In France and Sweden Mother's Day falls on the last Sunday in May. Spring in Argentina comes in October, which may explain why their Mother's Day observance is on the second Sunday in October rather than May. In Spain and Portugal Mother's Day is December 8 and is more of a religious holiday than most Mother's Day celebrations around the world, although the English Mothering Sunday actually began under Henry III in the 1200s as a celebration of the "Mother Church."

German poet and philosopher, Johann Wolfgang von Goethe: "Von Vater hab ich die Statur, des Lebens ernstes Führen, von Mütterchen die Frohnatur und Lust zu fabulieren."

Muttertag international

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Begegnung mit Marianne Hainisch : Frauenrecht - Frieden - Muttertag ; Europatag 5. Mai, Internationales Jahr des Friedens 1986

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Muttertag illustrations and clipart (94)

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Muttertag (1993)

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Muttertag

ich bin ich, und ich bin meine Mutter, und die Mutter meiner Mutter, und die Mutter meines Vaters und ich bin meine Tochter

MOTHER´S DAY – Song of a Sad Mother Carmen-Francesca Banciu, PalmArtPress 2015

COMING SOON!

from the German

by Elena Mancini

COMING SPRING 2015!

MOTHERS´S DAY – Song of a Sad Mother – Carmen-Francesca Banciu

from the German: Elena Mancini

PalmArtPres, Spring 2015

Carmen-Francesca Banciu’s Song of a Sad Mother is a touching, trenchantly written novel about an anguished mother-daughter relationship that is set against the backdrop of Communist Romania. Its protagonist is Maria-Maria, whose party-loyalist parentage and academic aptitude seem to destine her to become the embodiment of the party’s utopian concept of the new human. The only problem is that Maria-Maria is intent on writing her own destiny. The predetermined quality of Maria-Maria’s life coupled with the fact that Maria-Maria is tyrannized by a mother, who is depressive and deeply distrustful of any type of happiness or pleasure rob the protagonist of a childhood and cause cruelty and harsh discipline to take the place of maternal nurturing and reassurance. It is thus that Maria-Maria’s mother, who’s only indulgence was deprivation, cold-bloodedly destroys her daughter’s dolls only to replace them with books, out of love and to impart upon Maria-Maria the valuable lesson of self-reliance. Armed with this lesson, Maria-Maria is able to take possession of herself and defy every party- and familial expectation. She does this by leaving the past behind and becoming an émigré writer in post-Communist East Berlin. While the crossing of national and political boundaries proves catalytic for Maria Maria in that it enables her to discover her autonomy and individuality, it does not wipe the slate clean of all of her past suffering. It is only by doing the work of remembering that she begins to exorcise her demons and heal the trauma of her painful relationship to her mother. The reinvented Maria-Maria that emerges from the memory work is one who is liberated, self-accepting and endowed with the existential insight that identity is complex and richly-layered nexus of consciousness that encompasses both the past and the future. She also realizes that at a higher plane of consciousness, namely that of forgiveness, the identity positions of mother and child are far from fixed and distinct and distinct from one another but psychically and emotionally intertwined and interchangeable.

Banciu’s Song of a Sad Mother is a poetic, yet uncomprimising revisitation of what it means to become a fully individuated self and the struggle it entails. It shows how memory, in the context of transnational experience, helps to overcome the indoctrination into a rigid ideology and the wounds inflicted by an emotionally-absent and abusive mother. Foregrounding both the particular and universal aspects of motherhood, migration, patriarchy, forging identity against the backdrop of an oppressive regime, abuse trauma, and memory, Song of a Sad Mother will constitute a vital addition to the English-language literary market. As a work of German literature, this novel is highly representative of questions that are central to Germany’s contemporary cultural and social context by thematizing migration and reflecting upon how transnationalism is shaping German and European cultural identity. An English language version of Song of a Sad Mother will contribute to the English language readership’s awareness of types of themes and problems that are popular in post-Reunification, EU Germany. Banciu’s work has been published with much acclaim in Germany, Romania and France. In the past five years, her narratives have inspired works of literary criticism in German, English, and French by scholars who are literate in those languages. Making her work available in English would render the work accessible to a broader popular audience. Further, the fact that this is a work about women and authentically narrated and authored by a woman also renders it a necessary addition to the terrain of also commands its inclusion into the category of literature written by women, a terrain that even in the English language, continues to remain sorely underpopulated.

on Carmen Francesca Banciu’s Song of a Sad Mother (Das Lied der traurigen Mutter in the original German

SUMMER WIND IN PARADISE – LEICHTER WIND IM PARADIES von Carmen-Francesca Banciu

Um den Beitrag zu hören, bitte auf den roten Titel klicken

Please click the red titel above and listen to the first chapter of my Work in Progress „SUMMER WIND IN PARADISE “ started during the summer 2013 in Greece.

The Text is writen and recorded in German.

(More informations coming soon)

Hier könnt ihr den Anfang von „Leichter Wind in Paradies“ hören. Der Text ist größten Teils in Griechenland im Sommer 2013 entstanden.

(Demnächst mehr Details)

WITH THANKS TO DIETER OHLHAVER AND GERMA OHLHAVER VON HEYDEBRECK and TO THEIR MAGIC TERRACE

SCHREIBEND DIE WAHRNEHMUNG SCHÄRFEN BEI CARMEN-FRANCESCA BANCIU

Schreibend die Wahrnehmung schärfen bei Carmen-Francesca Banciu. Die in Rumä-

nien geborene Schriftstellerin zog

nach Deutschland, als sie in ihrem Heimatland nicht mehr publizieren durfte. In- zwischen schreibt sie auch auf Deutsch, gewann Stipendien und Preise, coacht junge Autoren und blockierte Journalisten ebenso wie interes- sierte Laien. „Beim Creative Writing geht es darum, die Wahrnehmung zu schulen“, sagt sie. Damit ihre Seminarteilnehmer den „inneren Zensor ausschalten“ und die Wörter fließen können, spricht sie alle Sinne an, lässt ihre

Klienten zum Beispiel mit verbundenen Augen selbst gebackenes Brot kosten. „Die Freude an der Entdeckung von Dingen, die man eigentlich zu kennen glaubt, aber nie wirklich wahrnimmt, setzt Kreativität frei“, erklärt sie. Über Assoziationen gelangen kreativ Schreibende dann über kurz oder lang in die eigene Vergangenheit. Das hilft auch Nichtliteraten, sich von biografischen Altlasten und Hemm- nissen zu befreien und sich leichter zu entfalten. „Wenn wir den Dingen einen Namen geben, bekommen wir Macht über sie“, sagt Banciu.

DAAD- Writer-in-Residence University of Bath

General Enquiries

DEPARTMENT OF EUROPEAN STUDIES AND MODERN LANGUAGESMEMORY HISTORY AND IDENTITY RESEARCH GROUP

‘Growing up in Ceausescu’s Romania’: childhood memory and the quest for the self. An evening of poetry and prose and a discussion with award-winning author

Carmen-Francesca Banciu

Writer in Residence in the Department of European Studies and Modern Languages

Carmen-Francesca Banciu was born in Lipova, Romania, and grew up as the daughter of a high-ranking Communist Party official. When she won the International Short Story Prize of the city of Arnsberg, Germany, in 1985, this achievement prompted a publication ban in Romania. After the fall of communism, she moved to Berlin, where she has since written a number of important prose works engaging with her childhood in Ceausescu’s Romania. Her poetry and prose relentlessly exposes the emotional cruelties inflicted by the discipline and obedience demanded in a household of party loyal parents, but her tone is never self-pitying or lamenting. On the contrary, her writing is deeply moving, often funny, and her search for a self always buoyed by critical self-awareness and witty self-irony. Carmen writes in German, but her work has been translated and widely published in the United States and in France.

The evening will be chaired by Renate Rechtien and Sonja Altmüller.

Friday 12 March 2010, 17.15 – 19.05 8W 2.27

Muttertag 2016 - Termin

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